Audio 26 Jan [Flash 9 is required to listen to audio.]

production is brilliant… @ILLANGELO

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Photo 20 Jan Live from #NAMM 2012

Live from #NAMM 2012

Video 19 Jan

Live guitars, sax, soul…

Sean Divine- ‘Grey Street’ (Instrumental)

Free Download: http://snd.sc/yh221T

Text 17 Jan

Anonymous asked: What kind of microphone does yonas use? And what microphone would you suggest? Thanks for your help, im saving up for rode ntk microphone but i would like to get your opinion first.

I believe it’s an AKG C414 in his studio if I’m not mistaken. We also used a Shure KSM32.

I haven’t tried the NTK but have heard good things about it. Here are some suggestions:

Rode NT1000, Audio-Technica AT4040, Shure KSM32, Neumann TLM-103, Neumann u87, Mojave Audio MA200, Shure KSM44

Text 17 Jan

Anonymous asked: First of all I really like your instrumentals they sound not like all the other instrumentals on soundclick. In your music every melody fit perfect to the rest of them and i try the same but i dont know what i do wrong. Maybe that are my bad mixing skills, that make my music sound so "unperfect". I was wondering if you could listen to something from me and maybe you could give me some tips. soundclick_com/unchartedproductions i hope my english is not too bad im from germany

Good english, actually :) The more time you spend on your instrumentals, the easier it will be to pick out melodies and make things mesh. Mixing even more so, it’s simply training your ears.

I listened to a few of your tracks and personally thought the melodies were good- like those pizzicatos on “Listen”. As far as drums, possibly you could try some subtle reverb on hats and snares to make them a bit less dry. Have you tried layering your drum samples?

Don’t get too carried away with melodies, less is more. Instead of having a number of different melodies it works best to try to have supporting melodies that simply enhance the main one. I use something I call “the morning after” technique. Work on a new track…if the next day when you wake up you can remember the exact melody, it’s a keeper and you can build upon it.

Otherwise, I would tell you to simply continue to challenge yourself to achieve the level of quality you’re going for. It’s within reach…

Photo 14 Jan Moog announces new monophonic bass synth “Minitaur”…
http://www.moogmusic.com/products/taurus/minitaur

Moog announces new monophonic bass synth “Minitaur”…

http://www.moogmusic.com/products/taurus/minitaur

Text 14 Jan

Anonymous asked: i got one problem and one question ... lets begin with problem : i got a m-audio axiom 49 and i cant connect it with steinberg software at all .... for example in FL Studio its working just fine, but i dont wanna work it that program so if you got some idea or know some link where i can get the idea whats the problem or how i can fix it, that would be nice. Question now : if i got some melody, brass, drums etc recored how to make them look so wide in spectrum as yours are ?

In Cubase, open the VST instrument panel and add a plugin. Then, create a new midi track. In the left side, there is a window with input/output. Your input should say Axiom 49 Port 1 or similar, route the output to your VST plugin.

The second question is a little more difficult to answer as there are a lot of factors in adding the wideness your talking about. I don’t use any stereo imaging plugins, it’s mostly achieved with EQ and use of reverb and delay. Layering and use of panning play a key role in the overall sound.


(c) 2012 Sean Divine Productions